Audio Mixer

Use the tool below to load in audio from our database and interactively mix the different instrument sources in the jazz piano trio together. You can also toggle a metronome click on and off, which was created automatically using our beat tracking and onset detection algorithms.

Select a track 🎵: Kenny Barron: 'Guess What' (2005) Bill Evans: 'Come Rain or Come Shine' (1965) Tommy Flanagan: 'Between the Devil and the Deep Blue Sea' (1996) John Hicks: 'I Didn't Know What Time It Was' (1987) Ahmad Jamal: 'Tater Pie' (1992) Keith Jarrett: 'Lisbon Stomp' (1968) Junior Mance: 'For Dancers Only' (1962) Oscar Peterson: 'Take the A Train' (1974) Bud Powell: 'Reets and I (Alternate Take)' (1953) McCoy Tyner: 'Blues for Gwen' (1962)

Audio controls 🎛: Play ▶ Pause ⏸ Stop ⏹ Metronome OFF

Volume faders 🎚:

Piano 🎹

Bass 🎻

Drums 🥁

Track metadata:

Warning

The application embedded above includes short (<30 seconds) sound extracts from audio recordings that may currently be copyrighted. The copyright for it may be owned by the company who made it, the author, or the person(s) who performed it. It is believed that the use of this work qualifies as fair dealing under United Kingdom copyright law, where:

• the use of the sample is unlikely to affect the market for the original work, and does not act as a substitute for it,

• the sample is short in relation to the duration of the recorded track, and is of inferior quality to the original recording,

• the sample is used in the context of a broader non-commercial data mining research project, which required making copies of audio recordings for the purpose of computational analysis,

• the sample is used for the purpose of non-commercial research, where the purpose is to offer students and researchers broader access to recordings of performances of works,

• there is no adequate free alternative available,

• sufficient acknowledgement is given to the creator(s) of the works in question.

The application embedded above also includes covers of audio recordings, the copyright for which is most likely owned by either the publisher of the work or the artist(s) which produced the recording or cover artwork in question. It is believed that the use of low-resolution images of such covers solely to illustrate the audio recording(s) in question also qualifies as ‘fair dealing’ under United Kingdom copyright law, where their use is solely to illustrate the audio recordings in question as part of a broader non-commercial data mining research project.

Any other uses of the audio or images embedded above may be copyright infringement.

If you are the copyright holder of these samples and you feel that its use here does not constitute “fair dealing”, please contact us.